Ever need to revisit a time in your life that lives just out
of the edge of imagination, in the haze of half-recalled images, song lyrics
with ellipses at each end, and fragrances that blend together like the Tempera
paint of out-of-control kindergarteners? You know the one – you are trying to
tell the story to yourself and remember that it was more than the classes you
cut, or job you lost, or the girl who dumped you? Several strategies come to
mind, and fortunately for me, as a novelist and a book reviewer, most of them
involve story-telling.
The Pursuit of Cool, a
new novel by Robb Skidmore(TMIK Press, 2012), could be counted as a
coming-of-age story about three kids who bond as suite mates as freshmen in
college. By the same logic, you would call The
Grapes of Wrath a travel journal. The place of the novel is AnyPrepTown,
USA, but the time? It is SO ‘80’s, SO Reagan, SO age of greed, and SO tinged
with the dissatisfaction that living a life dictated by what your image should
be rather than who you are that it just might define the decade.
You remember the ‘80’s, right? Remember those big-hair
rock-pop bands that MTV sold us? I thought so. But do you remember all the
alt-music that came from bands with names like Siouxsie and the Banshees or the
lyrical but almost painfully dark Bauhaus? No, I thought you might have
forgotten them. I began the novel riding on memory lane, in that happy
storytelling mode of “Oh, yeah, I remember where I was when I heard that.” At
first, I found myself hating but envying
the beach-bum gorgeous Ian Lacoss, identifying with the brilliant but socially
maladroit Charles Boyd, and riding the narrative wave with the inner monologue
of lead protagonist Lance Rally as they make their way through their first
years of collegiate liberation from parental control. Soon, however, I was
buried under the cultural references. I found that it was easier to read The Pursuit of Cool with my computer
open, Goodsearch.com on one tab and Youtube on another, in order to do quick
lookups. In fact, the book owns “cool:” defining it, bringing it into your
eyes, ears, and even your nose, and piercing you with it if you allow.
The narrator hovers over Lance like a thought translator who
has a point-of view only slightly more in-the-know than Lance himself. I am
reminded of the role of Nick Calloway from The Great Gatsby. Nick’s “truth”
about Gatsby changes – he assets that Gatsby is a landed scion one moment and a
self-made man in another – based on Calloway’s own evolving sense of reality.
Lance asserts, through his narrator, an evolving sense of reality that shows a
young man totally unprepared to confront a life that offers him his own
independent choices. Through the first
two-plus years of his college career, every interaction is about what his image
is. This obsession with looking suave, sexy, caring, sympathetic, resilient –
in a word, “cool” – is Lance’s way of confronting girls, friends, classes,
alcohol, everything. Since his family gave him only one option of how to be in
college – high GPA, Honors/Awards, Internships and all those other
prerequisites to the Top 10 MBA, it is not surprising that Lance is left to his
own devices when his path veers off the Gordon Gekko indenture.
Weighing in at 410 pages, The Pursuit of Cool did get slow for me by around page 300, because
this is not a plot-driven novel. In fact, by following the three boys becoming
men and reacting to growing up with all things Reagan, the book is a long essay
on the nature of “cool,” and whether such a thing is really attainable after
all. For me, the essay was too long. I would have preferred to part with some
of the exhaustive, encyclopedic cultural references in order to get to the
point: how do the three characters deal with the disillusionment of trying to
live someone else’s life? That having been said, Skidmore does a commendable
job at underscoring the existential question of an important period of American
history through the prism of the coming-of-age novel.
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