I am almost as old as Gabriella Goliger. This may, in fact,
be a disadvantage in reading and enjoying Girl, Unwrapped by Ms. Goliger, a
long-term Canadian whose first novel has erupted on the world after fifty years
of practice. I am no stranger to memoir;
my first novel is about 50% memoir. Neighter am I a stranger to Montreal,
having hiked (and I use the term with full knowledge) the elevation from McGill
up to the top of the mountain on which Toni Goldblatt, Goliger’s lead, spends
her earliest years. The coming-of-age story of young Ms. Goldblatt seems as
vital as the stories I hear from the college girls in my creative writing
classes. The advantage that Goliger shares with us is the distance – a good
thirty years – that brings with it the wisdom to choose just those moments that
made Toni who she became.
Born to Holocaust survivors, Toni’s life goes off the
greased rails of her parents’ expectations in the primary grades, when her
mother brings home one pouffy, girly textile monstrosity after another. Young
Toni, the epitome of tomboy, is as horrified by these creations as her mother
is with the scruffy, dirty jeans and tops that she favors. Toni’s body further
trumps her mother’s expectations, growing tall and rail-thin, like her father.
Her expulsion from summer camp after her drunken pledge of eternal devotion and
love for the music teacher, a woman, cement her status as a lost child for her
poor mother. I almost feel sorry for Toni’s mom – almost.
This is how Goliger shines. I feel the spirit of the
androgynous child. I feel the passion of her desperate crush on the music
teacher, incredibly hot and barely old enough to be called a woman. I feel the
need to connect, in Zionism, with an idea greater than oneself. I see the
women, young and old, of Toni’s life through her emerging lesbian eyes, not my
own. There is only one beef I have with
this excellent memoir. Goliger is of the “Hope-I-Die-Before-I-Get-Old”
generation. It shows. Her protagonist lives 35% of this book as a child, and
another 35% meeting her first crush and chasing her all the way to Israel . That
leaves thirty percent of the book. I say that Goliger tried too hard to work
Toni’s identity as a young adult lesbian in here, as if there wouldn’t be
another book. Or could it be that the juice of Toni’s life is sucked dry by the
time she is only 25? As “Girl, Unwrapped,” Toni is pretty well unwrapped and
exposed by the time she ends her girlhood. As deeply as I bonded with Ms.
Goliger’s character through her exodus from girlhood, I would have gladly read
a sequel that revealed how this coming of age tale formed the young woman that
I would have loved to come to know.
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